這是大英博物館英文ppt，包括了History，Architecture，Departments，Sir Hans Sloane, founder of the British Museum等內(nèi)容，歡迎點(diǎn)擊下載。

大英博物館英文ppt是由紅軟PPT免費(fèi)下載網(wǎng)推薦的一款課件PPT類型的PowerPoint.

British Museum History Architecture Departments History The British Museum is a museum of human history and culture in London. Its collections， which number more than 7 million objects， are amongst the largest and most comprehensive in the world and originate from all continents， illustrating and documenting the story of human culture from its beginning to the present. Sir Hans Sloane， founder of the British Museum The origins of the British Museum lie in the will of the physician， naturalist and collector， Sir Hans Sloane (1660-1753). Sloane wanted his collection of more than 71，000 objects， library and herbarium to be preserved intact after his death. He bequeathed it to King George II for the nation in return for payment of £20，000 to his heirs. If refused， the collection was to be offered to centres of learning abroad. A large and influential group of Trustees was charged with overseeing the disposition of his estate. Sir Hans Sloan On 7 June 1753 King George II gave his formal assent to the Act of Parliament which established the British Museum. The British Museum was the first of a new kind of museum - national， belonging to neither church nor king， freely open to the public and aiming to collect everything. Left to Right: Montagu House， Townley Gallery and Sir Robert Smirke's west wing under construction (July 1828) In the early days of the British Museum the collection was divided in three : Printed Books (including prints); Manuscripts (including medals); Natural and Artificial Productions (everything else). The nineteenth century: expansion and discovery In the early part of the nineteenth century there were a number of high profile acquisitions. These included the Rosetta Stone (1802)， the Townley collection of classical sculpture (1805)， and the Parthenon sculptures (1816). In 1823 the gift to the nation by George IV of his father's library (the King's Library) prompted the construction of today's quadrangular building designed by Sir Robert Smirke (1780–1867). By 1857， both the quadrangular building and the round Reading Room had been constructed. The twentieth century: providing a public service The twentieth century saw a great expansion in public services. The first summary guide to the Museum was published in 1903 and the first guide lecturer was appointed in 1911. By the 1970s， there was an active programme of gallery refurbishments and an education service and publishing company had been established. In 1973 the library became part of a new organisation， the British Library. This organisation remained at the Museum until 1997， when the books left Bloomsbury for a new building at St Pancras. Architecture The core of today’s building， the four main wings of the British Museum， was designed in the nineteenth century. Other important architectural developments include the round Reading Room with its domed ceiling and the Norman Foster designed Great Court which opened in 2000. By the start of the nineteenth century， Montagu House could no longer contain the Museum's vastly increased collection and the trustees set up a Buildings Committee in 1802 to plan for expansion. The first extension， the Townley Gallery， was constructed 1804 -8 to provide space for the classical sculpture collection of Charles Townley and for Egyptian antiquities. Built in the Palladian style(16世紀(jì)意大利建筑家-帕拉第奧建筑型式)， it was located in the space currently occupied by the southern section of the Egyptian Sculpture Gallery(淺浮雕）. It was demolished in 1842-6 to make way for the Smirke building. King Edward VII's galleries King Edward VII's galleries were designed by Sir John Burnet (1859-1939)， in the Beaux Arts style. They face Montague Place to the north and were intended as the first phase of an expansion of the Museum which aimed to replace all surrounding properties， the freeholds of which had been purchased from the Bedford Estates in 1894-5. However， protection orders on surrounding buildings mean that the scheme can now never be completed. The foundation stone was laid by King Edward VII in 1907 and the building was opened by King George V and Queen Mary in 1914. King’s Library The King's Library was a royal collection of books created by King George III and donated to the nation. A gallery， named after the collection， was built at the British Museum in 1827 to house them. It is the oldest room in the Museum and now home to the permanent exhibition Enlightenment: Discovering the world in the eighteenth century. The original collection and gallery Restoring the King’s Library gallery The Great Court Designed by Foster and Partners， the Queen Elizabeth II Great Court transformed the Museum’s inner courtyard into the largest covered public square in Europe. It is a two-acre space enclosed by a spectacular glass roof with the world-famous Reading Room at its centre. 博物館外觀　 大英博物館南入口 白翼大樓 Departments Department of Ancient Egypt and Sudan Department of Greek and Roman Antiquities Department of the Middle East Department of Prints and Drawings版畫和素描館 Department of Asia Department of Africa， Oceania and the Americas Department of Coins and Medals Department of Prehistory and Europe史前及歐洲館 Department of Conservation， Documentation and Science Libraries and Archives Rosetta Stone埃及羅塞塔碑（拿破侖在埃及潰敗后英國獲得的一批埃及文物中最珍貴的一個(gè)，搶來的。） The Parthenon Galleries - Temple of Athena Parthenos (447-438 B.C) 帕臺(tái)農(nóng)神廟的大理石雕刻(1816年通過割地賠款獲得，希臘人目前要求歸還，但英國人不還) 花 瓶 底 部 波特蘭花瓶(Portland Vase) 波特蘭花瓶，羅馬寶石玻璃制品，作與西元1世紀(jì)；現(xiàn)藏大英博物館。 制作時(shí)期：羅馬帝國時(shí)期 在深藍(lán)色玻璃上飾以白色圖案的古羅馬花瓶(1世紀(jì))，是現(xiàn)存最精美的古羅馬寶石玻璃制品(cameo glass)。18世紀(jì)時(shí)屬波特蘭公爵所有。在維多利亞時(shí)代有很多的仿制品。其中以威基伍德(Josiah Wedgwood，1790)和諾思伍德(John Northwood，1876)仿制的最為逼真。 The Department of Prints and Drawings contains the national collection of Western prints and drawings， in the same way as the National Gallery and Tate hold the national collection of paintings. It is one of the top three collections of its kind in the world. There are approximately 50，000 drawings and over two million prints dating from the beginning of the fifteenth century up to the present day. 顧凱之<<女史箴圖>> Mandarin fish(元代鱖魚圖案青花瓷盤) 著名的藏品：大英博物館藏道教人物像大英博物館藏 元代鱖魚圖案青花瓷盤埃及羅塞塔碑（Rosetta Stone，拿破侖在埃及潰敗后英國獲得的一批埃及文物中最珍貴的一個(gè)，搶來的。）雅典帕一農(nóng)神廟的大理石雕刻（1816年通過割地賠款獲得，希臘人目前要求歸還，但英國人不還）法老阿孟霍普特三世頭像（Amenhotep）（1823年購得）拉美西斯二世頭像（Ramesses）（1818年由英國駐埃及總領(lǐng)事捐獻(xiàn)，是割地賠款時(shí)拿的）弗蘭克斯首飾盒（Franks）（1867年獲得，是割地賠款時(shí)拿的）波特蘭花瓶（Portland Vase）夏洛蒂·勃朗特留學(xué)比利時(shí)布魯塞爾追求教授寫的的情書，夏洛蒂·勃朗特當(dāng)家教時(shí)追求有婦女之夫的教授的情書。夏洛蒂·勃朗特謾罵簡奧斯丁的信箋原稿。夏洛蒂·勃朗特在報(bào)紙上與眾三流寫手對(duì)罵的照片 鎮(zhèn)館之寶 這幅畫作為陪葬品放在亞尼的墓中，全長二十四公尺，用長達(dá)六十章的篇幅，描繪死者在來世獲得永生所需的咒文和約定事項(xiàng)。本書截取亞尼在死者之國接受生前善行和惡性審判的一段，為整卷畫作中最精彩的部分。收藏家佛里斯班士于1887年在尼羅河中游克索西岸的墓室中發(fā)現(xiàn)，是眾多以草紙記錄的《死者之書》當(dāng)中保存最好、最出色的，堪稱為古埃及美術(shù)中至于極致的作品，也是古埃及生死觀的明白表現(xiàn)。所謂《死者之書》，及記載死者為獲永生所必經(jīng)的各種磨練、審判、所需的咒文以及到最后獲得永生的畫卷，通常以草紙繪成。 埃及死者在通向復(fù)活之路時(shí)，必須於棺木中置放《死者之書》。死者之書大部分以紙莎草寫成，記錄死者生平好惡，以及奧西里斯Osiris的審判等情節(jié)。 《死者之書》通常為長卷形式，依財(cái)富多寡，分成數(shù)十個(gè)，甚至更多的段落。流傳至今最有名的為《亞尼的死者之書》，最有名的段落則是「秤心儀式」。yI6紅軟基地

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